Massimo Mazzone

artist and activist spokesperson for Escuela Moderna/Ateneo Libertario collective; he researches on the relationships between body, sculpture and architecture. He teaches Sculpture Techniques at the Brera Academy of Fine Arts; he participated in Venice Biennale in 2000, 2001, 2002, 2006, 2008, 2016, 2017, 2018 and published books and articles with Alternative Press, Mimesis, Libertaria, ApARTe, Artslife, Artribune, Hipo-Tesis, Catedra, Metalocus, UTET, Bordeaux, Milieu, Perspectives, Argos.