Pietro Gaglianò

(1975), is an art critic, educator and independent curator. He is interested in the relationship between the aesthetics of power and the counter-narrations played by art. In his projects he experiments hybrid formats between art and social sciences aimed to foster a political perception of the public space and the community. He published La sintassi della libertà. Arte, pedagogia, anarchia (Gli Ori, 2020) and Memento. The obsession with the visible (Postmedia Books, 2016).